Hopak, from The Fair at Sorochyntsi (arr. Rondo alla turca, from Sonata in A major, K. Theme and Variations, from Sonata in A major, K. Scherzo, from A Midsummer Night's Dream (arr. "Spinning Song", from Songs Without Words, Op. "Si oiseau j'étais" (Etude in F-sharp major, Op. 12Īir & Variations ("The Harmonious Blacksmith") Waltz, and Elfin Dance, from Lyric Pieces, Op. Gradus ad Parnassum", and "Golliwog's Cakewalk", from Children's Corner' "Return Home", and "The Maiden's Wish", from Polish Songs Turkish March, from The Ruins of Athens, Op. Prelude, Gavotte, and Gigue, from Violin Partita No. Recordings of Rachmaninoff’s music made by other performers are not included. This listing below includes only recordings in which Rachmaninoff himself was a participant, as either pianist or conductor. All of these recordings were reissued in a 10-CD set "Sergei Rachmaninoff The Complete Recordings" in RCA Victor Gold Seal 09026-61265-2, along with subsequent reissues. ![]() Rachmaninoff also made three recordings conducting the Philadelphia Orchestra in his own Third Symphony, his symphonic poem Isle of the Dead, and his orchestration of Vocalise. The first, third, and fourth concertos were recorded with Eugene Ormandy in 1939-41. He recorded all four of his piano concertos with the Philadelphia Orchestra, including two versions of the second concerto with Leopold Stokowski conducting (an acoustical recording in 1924 and an electrical remake in 1929), and the world premiere recording of the Rhapsody on a Theme of Paganini, soon after the first performance (1934) with the Philadelphians under Stokowski. Particularly renowned are his renditions of Schumann's Carnaval and Chopin's Funeral March Sonata, along with many shorter pieces. His recordings for Victor continued until 1942, when the American Federation of Musicians imposed a recording ban on their members. The company was pleased to comply with Rachmaninoff's restrictions, and proudly advertised him as one of their prominent recording artists. Rachmaninoff signed a contract with the Victor Talking Machine Company (later RCA Victor) in 1920. Edison's staff and Rachmaninoff were pleased with the released discs and wanted to record more, but Thomas Edison refused to engage the pianist for further work, saying the ten sides were sufficient for label prestige purposes. Edison agreed but still issued multiple takes, a very unusual practice which was routine at Edison, where strict company policy demanded three good takes of each selection to mitigate the effects of production wear and provide redundancy in case of damage to a metal master in practice, this meant to the staff that takes passed for issue were interchangeable, but it was also very wearing on artists who often had to record an item several times over to produce each of those three problem-free takes. Rachmaninoff believed his own performances to be variable in quality and requested that he be allowed to approve any recordings for commercial release. The Edison company took some care with its piano recordings but used an unusual make, the Lauter, made in Newark Rachmaninoff recorded on a Lauter concert grand, one of the few the company made. However, the staff at Edison's New York recording studio (led by company pianist Robert Gayler) asked Edison to reconsider his dismissive position, resulting in a limited contract for ten released sides. Thomas Edison, who was musically unsophisticated and quite deaf, did not care for Rachmaninoff's playing and referred to him as a "pounder" at their initial meeting. Rachmaninoff first recorded in 1919, for Edison Records' unusual " Diamond Discs", as they claimed the best audio fidelity in recording the piano at the time. Many of Rachmaninoff's recordings are acknowledged classics. ![]() Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Sergei Vasilievich Rachmaninoff (1873–1943) was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff in front of a giant Redwood tree, California, 1919
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