This time around, there are a few less makeup metaphors as he unboxes press samples for Glamorous by Madolyn’s official YouTube channel to nearly a million subscribers - a step up from the Instagram Live broadcasts from his childhood bedroom set-up from previous episodes. In Carrie Bradshaw fashion, the finale opens like every other episode this season with Marco Mejia (Miss Benny in their first starring role) narrating via beauty vlogging. Seeing her back on screen in such a significant role is nothing but a delight, and she is also credited as a series producer. The series also welcomes Kim Cattrall in her most Samantha Jones-adjacent role since Sex and the City as Madolyn Addison, a retired supermodel and founder of the titular makeup company. Everything from the witty dialogue riddled with pop culture references to the soundtrack (hello, Kylie Minogue) is gay as hell.īut don’t let the show’s glittery packaging distract from important conversations, particularly around the meaning of Pride in a corporate context, gender expression and exploration, and the trials and tribulations of queer dating. It’s a grown-up Heartstopper with Emily in Paris sensibilities, something of a Queer as Folk for Generation Z. Thankfully, Glamorous is just as vibrant as each of these shows, but more queer than anything we’ve seen on Netflix in a while. Jordon Nardino’s Glamorous brings the glitz and glamor back to the small screen, picking up the mantle from fast-paced, fashion-forward comedies like Younger and The Bold Type. Finally, a show that fills the gap Ugly Betty left behind.
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